Edited by Cat Hope

Conference Convenor Lindsay VIckery and Tos Mahoney, Artistic Director, Tura New Music. Conference Manager: Sonja Van Theil.

Conference Committee:
Tos Mahoney (Chair)
Dr Cat Hope
Lindsay Vickery
Stewart Smith
Dr Jonathan Paget

Editorial Committee:
Dr Helene Graham
Prof Lelia Green
Dr Maggi Phillips
Lindsay Vickery
Dr Cat Hope
Dr Jonathan Paget
Dr Dawn Bennett
Dr Philip Samartzis

ISBN 978-0-909168-77-3 (pbk)

Copyright 2011, Australian Music Centre. All rights reserved. No part of this publication may be reproduced, stored, transmitted or disseminated in any form, by any means, without prior permission from the individual authors to whom all requests to reproduce copyright material should be directed in writing to the editor.

Individual papers are available for download below. You can purchase a hard copy here.

Jonathan W. Marshall: “Sonic pleasure, absence and the history of the self: an alternative approach to the Criticism of Sound Art.”

Darren Jorgenson: “Master and slave in the music of Coil.”

Samuel Gillies and Cat Hope: “Manifesting meaning from a performance of cruelty: Parallels in the Musical Experimentalism of Antonin Artaud and Sub Ordnance.”

Colin Black: “Radio Art Sound-Composition: Exploring A Dualistic Binaural Sonic Interplay.”

Kynan Tan and Cat Hope: “Spatialising Threads/Hallucinations: Closing the gap between installation and performance.”

Jim Denley: “A Closely Woven Fabric.”

Micheal Noble: “Becoming in the Practice of Acoustic Arts.”

Ben Byrne: Digital Sound: “On Technology, Infidelity and Potentiality.”

Lindsay Vickery: “The Evaluation of Nonlinear Musical Structure.”

Chris De Groot: “Scoring Ménilmontant – new world soundscapes with French impressionist cinema.”